Purrcelain.

Since the kiln went on the fritz, knackered by an incompetent kiln engineer, not the manufacturer’s engineer, and some dodgy wire, not the proper high temperature wire, doll production has been a cat-astrophy.

Now everything has been put right by the proper people and the proper wire, I’m pleased to say I’ve been having kittens.

kittens2

Here they are.  These are two inches tall, porcelain, internally, invisibly jointed.  They take three firings to come out of the kiln as you see them, all the colours are permanent, they will potentially last furrever. You can see how small they are compared to a normal pen.  You can also see that they stand up without a doll stand because they can balance on their tails.  There are 16, which is large for a litter, and they are all very sweet, though there’s one at the back who I would not leave on his own for long.

In reality, next door’s cat has started bringing me presents and leaving them on the patio, or the doorstep where we meet.  So far I’ve had half a banana and a small bunch of grapes, we have quite lengthy chats.  Cats are just very good, aren’t they?

The porcelain kittens will be photographed again, when some have been dressed.

Four weeks to the Min, here are the details:  www.miniatura.co.uk

Pawfect!

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Tenterhooks.

I am on tenterhooks and have been for some time but specifically the last fifteen hours or so.

Regular readers (hello) know that, after seven months of waiting, the manufacturer’s kiln engineers finally arrived and put the kiln right, with the exception of the things I forgot to ask them to do because the OH was throwing a wobbly.  He is getting increasingly controlling, as his control of his own addiction vanishes.  My adoptive mother was very controlling because she was terrified of her alcoholic father to whom the entire family owed a debt of gratitude from saving them from poverty, in the terrible times between the world wars.  Controlling people, whatever the cause of their control and narcissism are very good at distracting the rest of us; it is hard to remain focussed when someone is rubbishing you to make themselves feel better.

The kiln is, theoretically, mended after years of being wrong, and, according to the kiln engineers, in peril for several years because the previous, not really a kiln engineer, had put a vital component in upside down, stretching the electrical wires dangerously.  This is why he had to put the control knob on upside down, because he’d fitted elements inside, upside down.  I think Vulcan, god of kiln owners must have hearkened to my prayers, as the house did not go up in flames and the porcelain did fire, just.

However, learning that you have been loading a potential bonfire, unknowingly, for many years, does as little for your confidence as someone having a go at you.  So I loaded the kiln with  little tests.  Test wire, test glazes, new eye glazes, different stringing loops.

The kiln fired and shut itself off in three hours fifteen, which is about right for new elements.  That was yesterday afternoon.

Porcelain is a noble clay, it likes to be left to go clay cold after firing.  If you expose it to the cold while it is still cooling down it will develop stress fractures almost anywhere, but especially where the clay body is thin, which, in the case of miniature articulated dolls, is everywhere.

Now it is today (weather follows after this forecast).  I went downstairs to the garage at seven o clock in the AM and took my bungs out.  When I am certain everything is cold, later this morning, I will open the kiln and retrieve whatever is there.

What will I find?

If it all works I’ll be at this show in five weeks: www.miniatura.co.uk

~~~~~~~

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Up and mincing.

There is a possibility that I might just have new stuff for Miniatura.  In fact the new stuff should have been the new stuff for the Spring but there was a problem.

Houston, I have an idiot. (Me.)

I did a lot of work to make two new things and a new part of an older thing ready to come out of my head and into reality.  I thought a lot, I made many, many moulds, I poured the porcelain and then I went horribly wrong –

I used the wrong wire.

I use wire of thicknesses from string thick, to finer than a hair, to make stringing hooks.  My articulated dolls have feet and hands with hooks, which I have made from wire embedded in them.  The elastic can go down an arm to a hand, through the wire loop and back up the arm.  In this way the doll is internally strung with elastic and can move.  The wire has to be made into tiny loops using the  very ends of the round nose pliers, the loop ends have to have twirly tails that can be inserted into the wet clay.  The wire has to withstand temperatures up to 1200 degrees, which is the temperature at which the porcelain clay shrinks, undergoes molecular change and turns into a sort of stone with embedded wire ends and a loop sticking out.

At least it does if you use the right wire.

If, by mistake, you go into the wrong drawer of the chest of drawers and find a reel of wire which looks like the high temperature wire but is actually a look-alike bought off the Internet, purporting to be the right wire but actually not the right stuff, but the wrong stuff and then use that to make a million stringing hooks which you subsequently bury in all the tiny hands, feet, bodies and heads then

Houston, you have a right cock up.

This will not become apparent until the second firing when the feet, etc, retrieved from the kiln will have loops that disintegrate when touched and completely jigger the kiln so that it no longer works.

And that was February.

Many years ago, nearly sixty firings, I had a problem and called in a kiln engineer who I found on the Internet.  He replaced my elements and put the control knob on the kiln upside down.  He said it couldn’t be changed and I’d get used to it.

But today the long awaited manufacturer’s kiln engineers arrived, took the kiln to bits and put it right.

I forgot to ask them to change the sensor rod, because I am an idiot and they did take with them my spare kiln which I have never fired.  I bought it from a friend and always thought it was a bit dodgy because it had spent its previous life in a wet shed.  The kiln engineers confirmed my suspicions, that it was not safe to fire.  I can’t use it and wouldn’t sell it, maybe they can take it to bits or put it in a kiln museum or use it for training.

I have spent the last three days pouring porcelain, embedding hands etc. with loops made from the right stuff (from the right drawer).  Now I shall spend a few days rubbing down and then, cautiously, fire the kiln but it won’t be until the second firing that I’ll know if it has worked.

Not exactly up and running, not even up and striding.  Edging towards success in teeny weeny steps, maybe.

The lesson to be learned is to beware of what you are getting off the Internet.  Go to the original source and the trusted name.  It is hard to see through the Internet, there is so much of it,  but it is worth spending time looking rather than quickly buying wire which you will have six months to regret.  It is worth waiting months for the right kiln engineer rather than the one who is good at advertising but can come next week and do stuff that will leave you annoyed for sixty firings, over many, many years.

I will let you know if it all works, and absolutely regardless I will be at Miniatura, maybe with new new stuff, never before thought of or seen. If not still with about a thousand original artist porcelain things to put on the table.

Watch the skies!  Or, watch this space!  Or watch this website:  www.miniatura.co.uk

~~~~~~~~


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Anniversary.

Amazingly the OH and I will have been married for 50 years on the 27th of August.

For anyone wondering how you do that, it’s like anything, you keep going and don’t give up.

Our neighbour wanted to take us to dinner in a restaurant as a thank you for his house not exploding, which is always good, so that will be the celebration.

There are ups and downs in everything.  We married in 1976 following a drought, as I came out of the church I put my parasol up and the rain came down.

He found the way to save people with Legionnaire’s Disease in a six year research post for very little money.  I wrote for magazines for twenty pounds a page and taught quite a lot of dyslexic people to read, for five pounds an hour.

He went into local government planning how to save people in a disaster, I started making miniature porcelain things, mainly dolls.

I have done a lot of gardening, he has done a crossword a day, mostly.

We were so lucky; our son did not inherit Downes Syndrome, which is in his family. I’ve had cancer twice, each time after caring for a demented family member at my own expense, in every way, but I’m still here.

We each do our own thing but we do stop to watch the TV news preceded by a quiz show together, each evening.  He now does his own cooking as he still eats meat.  I am mostly vegetarian and grateful you don’t have to cook lettuce.

For a few years we have been able to have a bathroom each; I would heartily recommend that if you can.

Fifty years has gone so fast, I feel as if we are us but the fashions and the politicians have changed round us.

He still has most of his hair, I am still on a diet.  He is still drinking and doing the latest sporty hobby, currently archery.  I am still making things, currently water colouring my drawings.

There have been ups and downs, never much money, nothing like enough holidays but shared laughter and, mostly, the same views about a lot of things.

The way to stay married is to be tolerant of each other’s foibles, and, really, just not to stop.

~~~~~~~~~~~

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The big river retailer on a canal.

Sadly the water colouring of the sketches I made in Venice has to be paused until after Miniatura.  I have really enjoyed them and would still be sitting in my shed with the paints were it not that the OH has broken my shed door.

The shed door was put on at the same time as the shed was constructed but was not the original shed door. It is really a tilt and turn window that was bought from an amazing place that sold second hand, factory overstocks, wrong size, different colour and what do you mean it doesn’t fit? windows and doors.  There was a shop but through the shop there was what had once been a long, no longer than you’re thinking of, garden, chock full of every type of plastic framed door and window you can imagine.  Wooden windows and doors can be altered by any old chippy with a chisel, whereas plastic factory made windows and doors, are exactly as they come off the production line, knocked up according to the approximate measurements and notes written resting on a knee in a van, in a rush before the pubs shut.

Mine was a slim brown plastic door, really a window.  If you turned the handle one way the door opened like a door.  If you turned it up the top leaned out.  This was a very fashionable arrangement well over twenty years ago to allow warmth out and rain in.  I had a notice on the inside to remind myself not to turn the handle down while I was inside because, for some reason, that locked the door.

I obeyed my notice and all was well until the OH built his shed, storing all his stuff in my shed, meanwhile.  Every morning he flung the door open to gaze at his tools, until the top hinge gave up and hung open anyway.  This was fine as long as I remembered to support the door at the top as I opened it but inevitably the door began to pivot on the bottom hinge as soon as a hand was laid upon the handle.

The OH volunteered to fix it by securing the pivoting hinge with a screw through the top of the door.  He even checked with a local window firm to make sure this was a good idea, so it was not until a long screw had made no difference, and had had to be drilled out, leaving a handle that would not move the locking pistons, or itself,  at all, that it became apparent that the mechanism tracked right round inside the plastic frame.

With the door now propped shut with two garden chairs and a block of concrete and a tilt and turn expert muttering about the second week of September and £400 starters in the same breath, the shed is off limits for now.

I do enjoy late summer evenings in my shed, or, rather, I used to enjoy…  Big Yellow Taxi, isn’t it?  You don’t always know what you’ve got till it’s gone.

But before it went I painted this view of Venice

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I quite like this, so it is now in a frame on the mantel piece.  If I were to do this view again I would do it differently in some respects but I shall leave it as it is.

What it shows is a mail order delivery in Venice.  I did not stop on the bridge long enough to watch the delivery agent in the boat putter up to one of those doorways with the stanking board keeping the canal out of the dining room, but that’s what he was doing.  I didn’t see a bell for him to ring, maybe he does the same as they do here, chucks it over the board before carefully photographing it in the wrong doorway prior to someone in really high waders coming along to nick it.

It is incredible to know a city state so picturesque that even the mail order deliveries are worth painting. I have to go back to the place where every prospect pleases and then some.

Meanwhile I am dressing dolls for Miniatura, as always if there is something you’d like to see please let me know by clicking on: Leave a comment below.

Details, tickets, information, all things bright and Minderful at: www.miniatura.co.uk

~~~~~~~~

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Shopping Lists.

We have an Alexa which is always asking for our shopping list, I’m not sure how this would help unless I take the device to the shops. I have this strange, almost technical feeling, that if I unplugged it, took it off the mantelpiece and popped it in my shopping bag, when I got to the supermarket it would have a very blank look.

However, in terms of shopping lists, as it in only eight weeks to Autumn Miniatura, do you have one?

I have been telling readers for 17 years what will be at Miniatura, in fact this is why the blog began.  For readers new to the miniatures hobby, in the nineties and noughties I was a columnist for dolls’ house magazines.  These were glossy publications, very much coffee table decoration.  Because of high standards of reproduction there was a six month lead-in time, so that an artist making something for Miniatura, whose work had been photographed at the show and had subsequently been interviewed by me, originally over the phone because this was before the Internet, would see the results six months later.  I lost count of the times artists explained that this was not helping much.  It was filling a beautiful glossy magazine with lovely pictures and articles of great interest to collectors but the actual items depicted had often been sold at the show, occasionally minutes after they had been photographed.  This, of course, was caused by the high standard of work taken to the show by the artists who had been invited to exhibit because they were so good.

Collectors who had just missed a purchase, or found something in a magazine that they would have loved to acquire, were annoyed by this and artists who had moved on to another work of art were too.  As the Internet was revving up, show visitors and exhibitors asked if I could possibly get  exhibits online just before the show.  Readers of the funny columns I wrote asked if there was any chance of having more funny stuff, not always about dolls’ houses and ideally, for free.

So began JaneLaverick.com, which continued because everyone said they liked it.  In time, as long term readers know (hello, how are you?)  I had to give up magazine writing when I became carer for my demented mother because there just wasn’t time to do both, but I kept on exhibiting at Miniatura for approximately a bazillion reasons.  Being associated with something which is the best in the world is not lightly relinquished.

Therefore, for seventeen years I have been asking artists what they are bringing to the show, but amazingly have never asked you, if you are coming to the show as a visitor, what are you looking for?

At the foot of this column is a button to click to express your opinion.  I would like to know about your collection, ideally with a photograph. I would like to know which miniatures are on your shopping list for Autumn Miniatura.  What are you hoping to find? Is it practical, such as two feet of skirting boards?  Are you looking for decorative glassware?  Are you completing a collection of paintings?  Are you hoping an order from a particular artist is ready?  Are you looking for items in a hard-to-find scale?

I have frequently expressed an opinion to fellow exhibitors that, if visitors would only tell us what they wanted, that is what we would bring.  Fellow exhibitors have always responded positively and heartily agreed. Well, here is your chance.  When I was just a visitor, nearly forty years ago, there was a saying:  If it isn’t at Miniatura, it doesn’t exist.  This is still true.  Miniatura was founded to be the meeting point between artists and collectors and has never strayed from this lofty purpose.

What have you got?  What would you like to add?  I will publish the results of email conversations between you and me here in your own words as much as possible, after we have had a chat.

If you are going shopping at the best show in the world, (details and tickets at: www.miniatura.co.uk ) let’s have a look at your shopping list.

Don’t tell Alexa, tell me.

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Sketches by a time traveller.

I did not really time travel in Venice, although  by the time I have finished reading the major history of the city, I may well feel as if I have.

One day, off the beaten track, or, as it is frequently pronounced in Venice, lost, we came upon a very old bookshop.  Sitting in the very old bookshop were the kind of booksellers who would really prefer it if you did not buy the books.  On the doorstep was the sop to the tourists which had probably been there since early last century, in the form of a creaky, rusting, revolving metal postcard stand.  Fighting off the spiders I found a postcard at the back that was, in parts, not bent.  I have every confidence that it had been there since the photograph was taken, possibly in the nineteen thirties.  I have searched for the subject, Corte Della Comare and it is still there, cleaned up and now hosting Airbnb and similar touristy amenities.

I however, loved the nineteen thirties photograph and made a drawing inspired by the postcard.  I am sure much of Venice looked similar nearly a hundred years ago.  The vertiginous steps to the top floor and the well are still there.  This courtyard was apparently, associated with midwives, traditionally, though very good luck with getting the extremely pregnant up the steps to the third floor.

Here is the drawing:

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The washing on the line looks odd because it has masking fluid on it so that, once the painting is done I can let the white of the paper show through.

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The optimism evinced in wearing white clothes, washed in well water, in seriously grubby surroundings, is admirable, though I notice old Venice is every bit as rubbish-free as modern Venice.

Though most of modern Venice is on mains water, presumably piped under the lagoon, the wells are still omnipresent.  In centuries past, families ambitious to be known as benefactors to the city whilst booking a comfortable seat in the afterlife but not quite up to major patron of the arts status, funded wells.  Some of the wells still have crests on them and they all have fancy carving.  If you’re going to endow a well, well you would want it to look well.

Well I enjoyed drawing this, it is very much my version, though after ninety years I hope the original is out of copyright. Old photographs generally have copyright for fifty years after they were taken, though as I have not used any technical means to make my new artistic version drawn by hand, I don’t think this applies.  Venice itself is full of copies, new versions, tarted-up artworks and just about digital everything. I should think there is hardly an inch of Venice that has not been photographed, drawn, mosaiced  and generally, coloured in. I have five of my original sketches of Venice still to watercolour, which activity, I must say, is eminently suitable for a heatwave.

It is the city of art, and well, you know, water to the thirsting artist.

~~~~~~~~~~~~


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An easy present to make for relatives.

Specifically, small relatives and demented relatives.

As I mentioned, I have a neighbour currently back home in a foreign country trying to help a demented mother.  The neighbour’s son has gone out in the holidays to join in (having been set a good example by his mother) and, knowing I had the same difficult job several times, wondered what he could do to make the visits less fraught, because he found himself running out of things to say after about half a minute.

I wrote in Dementia Diaries many years ago that one of the most helpful things I did was to keep in contact with the demented person once they had carers, whether at home or in a care home.  I rang my mother daily and my Step-Mum-in-law at least once daily, more if she was agitated, having been put in a home too soon by her worried daughter who visited occasionally, thus inadvertently becoming a stranger and, upsettingly, being treated as such by her mother.

If you are caring at a distance the advice would still be to keep in daily contact but there are places in the world where a daily phone call is not a possibility.

I wrote that one of the most successful ways of distracting my mother was to get the old photograph albums out.  For people whose short term memory is so bad that they have difficulty in the present, the past, where the long term memories live, is a much happier place for them.  Like an unofficial route through the grass the  frequently trampled path to long term memories is comfortingly easier to access than baffling new happenings, or people, in an unfamiliar care home.

My mother was guaranteed a happy half hour if someone got out the photograph album and turned the pages, email correspondents report the same success.

However, photograph albums tend to be too heavy to hold for the frail, confusingly full of many things, for those whose memory is on the blink.  Frustrated demented people are quite likely to throw anything they don’t like or have taken against, including dinner and a heavy photo album.

I have made zigzag books for my mother, my Step-Mum-in-law and the grandchildren and, showing them to my neighbour’s son, have sent all that is necessary to make them, except the photographs, out with him at his request.  He is not very crafty but sees how easy they are to make.

zigzag1

This is all it is.  Just a long piece of card, folded zigzag style, with bound edges, photographs on one side and enough room under each photo for a few words.

This is a Christmas one I made for the grandchildren; I made one for me too at the same time.  As you can see it stands on its own, even on carpet.

This is one of the important aspects of it; if the recipient is too weak to hold it, or bedridden, it can stand on its own to be looked at.

I was told by the care staff at SMIL’s care home that the zigzag books I sent of her great grandchildren were a magic cure for many problems.  If she was having an aggressive day, or she was very weak and poorly and couldn’t be bothered, or something stressful such as a medical procedure had occurred, the staff would take one of the zigzag books out of the table drawer, where they were taking up hardly any space and spread a book out on the table, exclaiming:  Look! Grandchildren!

The effect, I am told was beneficial, calming and immediate.  They had several books so could ring the changes.  For a person with no short term memory they were effectively new and delightful every time.  I have suggested for my neighbour’s son that, as he is unable to get to his grandmother often because of the cost and the distance, a zigzag book of him as the baby that she will remember, proceeding in a few pictures through his life so far to him as he is now will help her to recognise him.  Even if she does not make the association, family pictures near at hand show that the demented person is not forgotten and that their family is still around somewhere.

The zigzag books have the advantage of being light to handle.  A demented person can easily hold them and manipulate them.  If they do let go, no damage will be done.  If they go nuts on a bad day and rip them up, the books are easy to make, a print-out photograph is an endless resource.

zigzag2

Here is a smaller version, you simply tailor the number of pages to the number of photographs.

I printed the photographs first. As you can see in the sample above, I found I had six photographs.  I’d be inclined to print them on stronger paper than the usual 85gsm printer paper.  Paper round about 200 gsm would do, I didn’t bother with the glossy photo printing paper.  It is expensive and not necessary, whatever paper makes the images clear and can be glued with wet glue is fine.

The zigzag needs to be of stronger paper, 300gsm would be ideal.  I used A2 size sheets, cut into strips, but you can use A4 by making zigzags with an extra bit at the end to stick to the next zig, or zag.  I have finished the first example by sticking Washi tape round the edges.  Washi tape is Japanese paper tape, it does not have fierce stick, so is easy to have a few goes with to get it where you want it.  If you have had so many goes that the corner now peels back on its own, just add a drop of paper glue and it will stick.

zigzag3

The backing card does not have to be white.  This is a three page book I made for the grandchildren with black card, suitable for the subject, which was a visit to Gaia, Luke Jerram’s Earth installation.  I have bound this with black Washi tape.  To make a book simply glue two adjacent zigs together, so the middle page is double.  The Washi tape will disguise the double pages.

I would not make a book with more than three pages for a demented person, you can’t see all the pictures at the same time but the card is still sufficiently strong that the book stands by itself.

I suggest a dry run with your printed-off photographs, to determine where the zigs should be.  Run a blunt point, a closed pen or the edge of a plastic ruler down your metal ruler where each fold should be to make a neat fold before you crease it, then glue the pictures in.  If you are not sure of the neatness of your writing, you could do the writing on separate pieces of paper to cut and glue in, to give you a chance to make mistakes or change you mind about what you want to say.

Keep it simple.  ‘This is me, Julian, when I was two.’  ‘Mary, Fred and the children at the lake house.’  ‘This is you, Grandma, with Stephanie and the birthday cake you made for her.’  The sort of stuff that a care helper can read out, if necessary.

Simple is good for small children learning to read too, you’ll be amazed how quickly they can say the words.

zigzag4

You can put yourself in the picture too – one of the purposes of making the zigzag book is so that you are not forgotten, so that your lost soul knows they have someone who cares, and that you are there, even when you are not there.  If you can ring every day and be there in a photograph always, you may completely avoid the upsetting day when your demented person asks you who you are.

The books have the advantage of being very postable.  If the first ones are successful you can make others and post them.  Grandchildren’s birthday parties, new great grandchildren, anything positive will do.  You might wish to avoid dead pets, or the house where the chilly spider infested toilet was outside in the yard, and weird Uncle Vanya, unless these are things we all laugh about.

It may look simplistic to you but your demented person will think the world of you for half an hour’s work.  If you make a book starring them, your grandchildren will love you for making them famous, in a book (this is not my opinion, it’s what my grandchildren told me).

If you make two books, you can share one with the demented person during your nice short, not overly tiring visit and produce the other when it is time to go, leaving them not upset to be abandoned, rather happy to have something lovely to look at.

~~~~~~~~~


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More watercolours from Venice.

It’s taken a while because I’m not rushing anything.  I still have half the pictures in the sketchbook to colour.  I will have to stop and do dolls shortly but it’s too hot again to do anything as active, so water colouring either in a shed or with a fan is the ideal occupation.

I’ll show you some of the pictures from the Basilica San Marco, the wonderful church which was built in 829 AD to house the relics of the body of St Mark, stolen from Alexandria.  Scroll down if you are not sure why anyone would steal body parts in antiquity, regular readers (hello) know all about this.  After a fire in 976 the church was rebuilt in 1063 and continually updated; when we were there conservators were dusting assorted saints with soft brushes.

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Here are the saints who have already been dusted.

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All very keen on you reading the gospels by the look of it.

The Basilica is full of works of art, like many public buildings in Venice.  The way in which Venice developed is the reason for this.  Ruled for most of a millennium by a council of ten of the most worthy Venetians (for which read richest trading families) who elected the Doge, who had little power on his own, the city state began, quite early in its history, to be a showcase of the best collections of the richest collectors, all trying to outdo each other.

We have parallels in our own time of world famous billionaires who enjoy hiring entire towns for their weddings and are currently engaged in rivalry as to who will get to the Moon, or Mars, first to own large chunks of either.

The Venetian empire builders were quite often at odds with their neighbours, which neighbours, at various junctures, included the Vatican.  In such a Catholic country, endowing the biggest church with works of art had the delightful double objective of cocking a snook at the Pope and securing a place in heaven.

The Basilica, the major church right on the town square, next to the Doge’s palace, was never going to be ordinary, or a bit plain.

It is utterly breath taking.  I could post something different about it every week for a year.  From the tiled floors to the ceiling and everywhere in between there are wonderful works of art.  Part of it is a museum, protecting and safely keeping amazing ancient bibles and textiles, in dark, climate controlled cases.

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Liturgical artworks are everywhere, not least all over the walls and ceilings.  As the roof is composed of five domes in the shape of a Greek cross, there’s a lot of ceiling.

I loved the naïve mediaeval depictions of various bibles scenes but the one that absolutely drew me to it was the most amazing mosaic of Christ Pantocrator in the semi dome of the apse.

This depiction of Christ as the creator of the Universe was originally designed by Byzantine artists for the mediaeval construction of the Basilica.  I love it so much I have drawn my version twice, adding a circular pattern, where the original sits simply on the golden background of the ceiling.

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As you can see the picture was redone by Venetian mosaicists in 1506.  They had learned the techniques from the Byzantine artists who had (maybe) remarked: Oh this is nothing, you should see our horses!

The restorers also added the Christogram IC and XC.  In the early church, Christians who were persecuted for their faith, developed numerous secret signs.  The I and C to the left stand for iota and lunate sigma, the first and last letters of Jesus in Greek and the second X and C stand for chi, and again, lunate sigma, the first and last letters of Christ in Greek.

I loved painting this.  The first is the version which will go in my Venetian scrapbook.  In the mosaic, Christ is raising a hand in blessing and showing you the gospels.  The mediaeval artists who first designed this must have realised that a golden throne edged with precious set stones might not have been very comfortable, especially for Someone who is going to be sitting there for all eternity, so they have given Him a long, very mediaeval, stuffed cushion.

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The second version I have made into a card to send to a friend who is currently looking after her demented mother in another country, she expects to be there until Christmas.  A little divine inspiration would not go amiss, perhaps.

The Basilica San Marco is one of the glories of Venice.  I loved every inch of it.

sketch13

~~~~~~~~~~~~~~~


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Reader (hello) I saved the dog.

Sometimes your plans do not go as planned,  not even slightly.

On Tuesday the plan was that the OH and I would have a day out.  We planned to visit a National Trust property not far from here.  In the end (spoiler alert, as they say, spoilsportingly, now) when we got there and looked round the restaurant the OH remarked, perspicaciously, that we were right in the demographic.  If it is not your ambition to support the National Trust by visiting their properties when you retire, what is wrong with you?  It really is OK to go before you get the walking stick, and, really, accessorising with a grandchild is just a choice.

Accordingly, exhibiting the correct (demographically) behaviour, I rose at seven and was showered, dressed and had endeavoured to get the OH into the bathroom, but still hadn’t brushed my hair, which had one (1) curler in it, and had just made my cup of tea, when there was a knock at the door.

On the doorstep was a very worried young man.  Had I got a key, or a phone number for next door (gesturing) because they’d phoned to report a gas leak but weren’t there and next door the other way had a sold sign but no key?

So I let us in and the gas smell was immediately so absolutely overpowering I was surprised not to find the dog (Socks) flat on the floor with his little paws in the air, choking his last.

The young gas engineer (Nathan) opened every window he could and found the gas meter under the stairs.  I let Socks out into the garden.

The smell was dreadful, no, worse than that, it was dreadful.

I went back home and explained to the OH (who was in the shower) what was going on.  Wrote the phone numbers of Mr Next Door and his Son (who lives at home but is saving up for a cardboard box or similar, like everyone in their twenties) down for Nathan and went back next door into the smell of gas which was now just awful.

By this time Nathan was looking even more worried and asked if I would go upstairs with him and  his device for detecting gas, which had been sounding a loud alarm ever since we walked in through the door.

Upstairs the gas smell was really bad. And, also, everywhere.

Nathan tried to ring Mr Next Door with no luck.  Mr Next Door is an orthopaedic  surgeon with a tight schedule and was probably in the middle of someone’s leg, as it were.  I explained to Nathan that this was the case, so he tried ringing Son (saving for a cardboard box) but his phone was turned off.

Socks was back in the house, also looking worried and getting very barky indeed.  I thought maybe, dog’s noses being so superior to our noses, that he was probably trying to tell us that there was a strange smell, which we knew because it was slightly less dreadful but still pretty gut wrenching.

Nathan had been trailing his device along the hall skirting boards, which was making the alarm sound extremely, well, alarmed.

At this stage, Nathan looked even more worried and the alarm had been sounding a high pitched squeal for about three quarters of an hour, which was about the same length of time Socks had been barking.

I promised Nathan I wouldn’t leave him, took Socks back out into the garden and went next door to fetch my cup of tea, with a small cup of yoghurt (Easiyo, I make it, easy, there’s a website) to have my breakfast next door.

Nathan said the level was going down slightly, but that was only because he had opened all the windows.  He closed the windows, we waited about five minutes, then the alarm went off, the levels skyrocketed, Socks, who’d got back in, barked constantly and Nathan phoned for help, advising me that the levels were now dangerously explosive but not poisonous.

Fortunately I was not stirring my tea with a lit match, so I held the fort while Nathan went off to his van, parked round a corner, to try more urgently to get other gas engineers to attend as soon as possible to turn the gas off in the road before we all went bang.  Well, before those of us not parked round the corner, went bang.

So I gave Socks a dog treat, climbed down the step to the garden without making sparks, and decided to water a plant or two to take my mind off the situation.  Turning on the outside tap, I cleverly sprayed water all over my smart going out trousers, which made Socks, who has stopped barking to eat a dog treat, run round the garden, barking for help from the neighbours, which was a bit pointless, because I was there.

To recap:  an hour in I am in an explosive house with one (1) curler unbrushed hair, wet trousers, a small cup of yoghurt, half a cup of tea (cold) and a dog (Socks) outside running round the garden barking for help.

Happily it was only about ten minutes before Nathan returned having been able to alert other gas engineers (hooray) to the gravity of the situation, with every probability that they might turn up that very morning.

Nathan ran his detector along the skirting boards, it went off and so did Socks.  Could there be gas under the floor, I wondered out loud.  Ooh yes, I was told, it gathers and then…

Being the builder’s daughter that I am, I went into the garden for a stroll round the house looking for airbricks.  I found several.  This, for the unbuilderly, means a suspended floor with a void underneath, which in this case, was full of gas.  Below the suspended floor would be concrete.  Nathan was quick to appraise me of the absorbent qualities of concrete.  The way he put it I felt as if houses were traditionally built on a layer of toilet paper, the situation couldn’t be any worse.

At this stage there was a bit of a breakthrough, in that Mr Next Door, having a quick surgical break, from the surgical break of the leg, as it were, had answered his phone.  He was very sorry, he told Nathan, but he couldn’t get away as he was in surgery.  Nathan looked ready to burst into tears, so I popped back to tell the OH that the day out was off, took the curler (just the one) out, left it in the dining room (on the table) and went back to keep Nathan company.

At least an hour of barking and alarms later two white vans bearing extra gas engineers appeared, parked on the grass outside the house and turned the gas, in the road, right off.

They came inside, Socks went nuts, so I put him in his cage, which is his bedroom and fed him more treats, which each worked for a good three seconds, and the engineers went round the house agreeing with each other that it was really bad, one of the worst they had seen recently and, also, dangerous.

Apparently when a gas leak is this dangerous, what gas engineers would like to do is dig up the drive, because, if the house is full of gas, under the floor, the gas in the road is turned off and it’s been a couple of hours now, easily, has it?  Yeh Kev, the lad rung at half nine, yeh, he did, so what we need is to dig up the drive to find the leak there.  Can the neighbour, like, hello love, give the say-so?

At my instigation, Nathan rang again.  I returned to the OH to beg him to text Mr Next Door, which he was very reluctant to do. ‘He’s busy, Jane.’  I thought he’d be a lot busier if his house went bang and said so.

So I made a cup of tea for all the gas engineers to hold them off for as long as it takes to drink a cup of tea.  By this time Nathan (with a cup of tea in his van safely round the corner) reported a message from Mr Next Door who promised to be there within half an hour.

The OH relented and sent a text and then came round to next door for laddish banter with the gas engineers and within three quarters of an hour at only half past twelve, in his lunch hour, Mr Next Door was seen striding across the green.  Fortunately, being a surgeon, he is quite bright; I was able to acquaint him with the relevant information in a few steps, so that, upon arrival at home he instantly gave permission and immediately the gas engineers took a pick axe to the drive as the Son (cardboard box) who had just turned his phone on, arrived wondering what all the fuss was about.  It also became apparent that he had forgotten to feed the dog (Socks) before he left, so matters soon took a much quieter turn and I went and had my lunch.

After a quick bite Mr Next Door went back to work on the second leg, as it were, Son (cardboard box) was in charge and I could leave, only popping back a couple of times to admire the hole.

At the end of work Mr Next Door, who grew up in a tower block in another country, described the enthusiasm with which tower block dwellers were encouraged to report gas smells. I found it unnecessary to say anything about owning a house, reporting smells and then going to work.

Amazingly, throughout the rest of the day and overnight, gas engineers were parked on the grass, going into the house every hour or so to monitor the levels.  By the following day they had drilled holes in the concrete floor in the hall to let the gas dissipate but it did take another twenty four hours before it all went.  On the following day, having determined that elderly gas pipes were the cause of the trouble, another engineer came and borrowed my ladder to put a new pipe into the house, over the flat roof.

Even more amazingly then the engineers put the drive back, exactly as it had been.

And really very amazingly it did not cost next door a penny.  Sorting out gas leaks in this country is a job for private firms funded partly by the government and partly by the cost of your gas boiler service, so that anybody can be rescued whether rich or poor. It makes me feel I will resent the cost of my next boiler service a bit less, now I know that it not just the responsible thing to do, it may save lives too.

In the Sixties, when I was a teenager, there was a gas leak and explosion, in a house  just up the road.  It was a house in a terrace.  The explosion reduced the house to rubble, making a gap in the terrace and burying the young couple who had not lived there for long. My father ran up the road to help dig them out. The young man was killed and the girl became a wheel chair user.

Although this blog has been light hearted, my neighbours were so lucky.  They reported the smell as soon as it became apparent.  The evening previously they had cooked dinner in the gas oven and not on the gas hob as usual, which was very lucky.  Neither of them smoke, so there were no lit cigarettes.  The lady of the house, away, abroad caring for her elderly demented mother, will still have a husband and son to come home to, which is as lucky as it gets.

And, of course, Socks, the dog.

Socks

~~~~~~~~~~~

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